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photo by N

photo by N

Art and food”, the exhibition curated by Germano Celantrunning through 1st November 2015 -, was recently opened at the Milan Triennale Design Museum, which is the only thematic area placed in the Milan city centre of event Expo Milan 2015. It was a smashing display of art exploring the relationship with food, emphasized by many references and an amazing selections of objects and furniture. I start talking about that in reverse, showing  many works being in third section of the exhibition which is placed on the first floor of museum, featuring celebrated contemporary artworks (paintings, sculptures, videos and installations). That is the part of exhibition I appreciated mostly for its lightness though the myriad of artworks that here were on show – among whom I was glad to see the works by Joel-Peter Witkin, Gregory Crewdson, an installation by the fashion designer Issey Miyake along with the ones made by other celebrated artists.

L’ INAUGURAZIONE DELLA MOSTRA “ART & FOOD” AL MUSEO DEL DESIGN DELLA TRIENNALE DI MILANO (1)

Jeff Koons, Cake, 1995-1997, private collection, photo by N

Jeff Koons, Cake, 1995-1997, private collection, photo by N

Art and food”, la mostra curata da Germano Celantche prosegue fino all’ 1 novembre 2015 -, è stata recentemente inaugurata presso il Museo del Design della Triennale di Milano, unica area tematica ubicata nel centro di Milano dell’ evento Expo Milano 2015. Una formidabile rassegna d’ arte che esplora la relazione con il cibo, enfatizzata da plurimi riferimenti e una incredibile selezione di oggetti e arredi. Ne comincio a parlare a ritroso, mostrando varie opere che si trovano nella terza sezione della mostra che è ubicata al primo piano del museo, di cui sono protagoniste vare opere d’ arte contemporanea (dipinti, sculture, collage, video e installazioni). Questa è la parte della mostra che ho apprezzato di più per la sua leggerezza nonostante la myriade delle opere d’ arte ivi esposte – tra cui mi ha rallegrato vedere le opere di Joel-Peter Witkin, Gregory Crewdson, un’ installazione del fashion designer Issey Miyake insieme a quelle di molti altri celebri artisti.

  Jeff Koons, bread with egg, 1995-1997, courtesy the artist and Jérôme de Noirmont, Paris


Jeff Koons, bread with egg, 1995-1997, courtesy the artist and Jérôme de Noirmont, Paris, photo by N

 

photo by N

photo by N

 

photo by N

photo by N

 

photo by N

photo by N

 

photo by N

photo by N

 

Tom Friedman, big big mac, 2013, courtesy of Luhring Augustine, New York and Stephen Friedman Gallery, London

Tom Friedman, big big mac, 2013, courtesy of Luhring Augustine, New York and Stephen Friedman Gallery, London

 

Inka Shonibare Mbe, Champagne kid(Fallen), B(w)anker (2), 2013, courtesy of the artist and Stephen Friedman Gallery London, photo by N

Inka Shonibare Mbe, Champagne kid(Fallen), B(w)anker (2), 2013, courtesy of the artist and Stephen Friedman Gallery London, photo by N

 

Wim Delvoye, Personal cloaca, 2006, courtesy of the artist

Wim Delvoye, Personal cloaca, 2006, courtesy of the artist

 

Nate Lowman, Blood orange is the new kale, 2013, courtesy of the artist

Nate Lowman, Blood orange is the new kale, 2013, courtesy of the artist

 

Elad Lassry, Kitchen, 2010, private collection, Milan, Eggs, 2010, Carlo Beldi Collection, Milan, Meat, Onion, 2010, Ringier Collection Switzerland, Short ribs, eggs, 2012, private collection, photo by N

Elad Lassry, Kitchen, 2010, private collection, Milan, Eggs, 2010, Carlo Beldi Collection, Milan, Meat, Onion, 2010, Ringier Collection Switzerland, Short ribs, eggs, 2012, private collection, photo by N

 

Mario Botta, La Petra Winery, Suvereto, 2003, Petra, Terra Moretti Group, photo by N

Mario Botta, La Petra Winery, Suvereto, 2003, Petra, Terra Moretti Group, photo by N

 

Gae Aulenti, Tenuta di Campo Sasso, Bibbona, 2003-2004, Gae Aulenti Archive,  photo by N

Gae Aulenti, Tenuta di Campo Sasso, Bibbona, 2003-2004, Gae Aulenti Archive, photo by N

 

Renzo Piano,  La Rocca Winery at Frassinello, Gavorrano, 2006, photo by N

Renzo Piano, La Rocca Winery at Frassinello, Gavorrano, 2006, photo by N

 

Richard Meier, Felida, 2012, courtesy Galerie Gmurzynska AG, photo by N

Richard Meier, Felida, 2012, courtesy Galerie Gmurzynska AG, photo by N

 

Igor Baskakov, Mars, 1999, courtesy Galerie Gmurzynska AG, photo by N

Igor Baskakov, Mars, 1999, courtesy Galerie Gmurzynska AG, photo by N

 

Igor Baskakov, Twix, 2001, courtesy Galerie Gmurzynska AG, photo by N

Igor Baskakov, Twix, 2001, courtesy Galerie Gmurzynska AG, photo by N

 

Jani Leinonen, Or Flakes: Slave or Slut, 2010, courtesy Galerie Gmurzynska AG, photo by N

Jani Leinonen, Or Flakes: Slave or Slut, 2010, courtesy Galerie Gmurzynska AG, photo by N

 

Nathalie Djurberg, man with the ice-cream, 2012, The Michael Storåkems Collection, photo by N

Nathalie Djurberg, man with the ice-cream, 2012, The Michael Storåkems Collection, photo by N

 

Nathalie Djurberg, bang your little drums, duration 10'42", music by Hans Berg, Giò Marconi, Milan

Nathalie Djurberg, bang your little drums, duration 10’42”, music by Hans Berg, Giò Marconi, Milan

 

Marc Quinn, Flesh painting( on sensualism), 2012, private collection, photo by N

Marc Quinn, Flesh painting( on sensualism), 2012, private collection, photo by N

 

Cai Guo-Qiang, Sunshine and solitude: poppy flowers, 2010, courtesy of the artist, photo by N

Cai Guo-Qiang, Sunshine and solitude: poppy flowers, 2010, courtesy of the artist, photo by N

 

Pleats please by Issey Miyake, photo by N

Pleats please by Issey Miyake, photo by N

 

Pleats please by Issey Miyake, phot by N

Pleats please by Issey Miyake, phot by N

 

Pleats please by Issey Miyake, phot by N

Pleats please by Issey Miyake, phot by N

 

Pleats please by Issey Miyake, phot by N

Pleats please by Issey Miyake, phot by N

 

Hassan Hajjaj, Ilham, 2000, courtesy of the artist and Taymour Grahne Gallery, New York

Hassan Hajjaj, Ilham, 2000, courtesy of the artist and Taymour Grahne Gallery, New York

 

Miles Aldridge, first impression 1, firts impression 2, 2006, courtesy Steven Kasher Gallery, New York, photo by N

Miles Aldridge, first impression 1, firts impression 2, 2006, courtesy Steven Kasher Gallery, New York, photo by N

 

Paul McCarthy, Bossy burger, 1991, video, duration 58' 59", photo by N

Paul McCarthy, Bossy burger, 1991, video, duration 58′ 59″, photo by N

 

Mona Hatoum, Deep throat, 1996, courtesy by the artist

Mona Hatoum, Deep throat, 1996, courtesy by the artist

 

Mona Hatoum, Deep throat, 1996, courtesy by the artist

Mona Hatoum, Deep throat, 1996, courtesy by the artist

 

Shen Wei, Bag from the series "Table setting", 2010, courtesy of the artist and Flowers Gallery, New York

Shen Wei, Bag from the series “Table setting”, 2010, courtesy of the artist and Flowers Gallery, New York

 

Thomas Demand, Stove, 2014, courtesy of the artist, VG Bild-Kunst, Bonn,  Sprüth Magers, photo by N

Dennis Oppheneim, Sleeping dogs, 1997, private collection, photo by N

 

Ron Mueck, Woman with shopping, 2013, Fondation Cartier pour l' art contemporain, Paris, photo by N

Ron Mueck, Woman with shopping, 2013, Fondation Cartier pour l’ art contemporain, Paris, photo by N

 

George Steinmetz, at the Nutribras pig farm in Brazil, 2nd September 2013, courtesy of the artist, photo by N

George Steinmetz, at the Nutribras pig farm in Brazil, 2nd September 2013, courtesy of the artist, photo by N

 

Barbara Kruger, untitled( God sends the meat and the devil cooks), 1988, collection famille Servais, photo by N

Barbara Kruger, untitled( God sends the meat and the devil cooks), 1988, collection famille Servais, photo by N

 

house of bread, photo by N

house of bread, photo by N

 

house of bread, photo by N

house of bread, photo by N

 

Vanessa Beecroft, VB 52.168.NT, 2003-2007, private collection, courtesy of Galleria Lia Rumma, Milano, Napoli, photo by N

Vanessa Beecroft, VB 52.168.NT, 2003-2007, private collection, courtesy of Galleria Lia Rumma, Milano, Napoli, photo by N

 

Frank O. Gehry, the gift fish, 1985, Castello di Rivoli Contemporary Art Museum, long term deposit Marco Rivetti Foundation, Rivoli-Turin, photo by N

Frank O. Gehry, the gift fish, 1985, Castello di Rivoli Contemporary Art Museum, long term deposit Marco Rivetti Foundation, Rivoli-Turin, photo by N

 

Andres Serrano, black supper, 1990, private collection, London, photo by N

Andres Serrano, black supper, 1990, private collection, London, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Marina Abramovic, the onion, 1995, courtesy Marina Abramovic and Sean Kelly Gallery, New York, photo by N

Marina Abramovic, the onion, 1995, courtesy Marina Abramovic and Sean Kelly Gallery, New York, photo by N

 

Joann Verburg, still life with Jim, 1991, courtesy of the artist and Pace MacGill Gallery, New York, photo by N

Joann Verburg, still life with Jim, 1991, courtesy of the artist and Pace MacGill Gallery, New York, photo by N

 

Mimmo Jodice, Eden-opera n. 45, 48, 1995, courtesy of the artist, photo by N

Mimmo Jodice, Eden-opera n. 45, 48, 1995, courtesy of the artist, photo by N

 

Sally Mann, Yard eggs, 1991, courtesy of the artist and Gagosian Gallery New York, photo by N

Sally Mann, Yard eggs, 1991, courtesy of the artist and Gagosian Gallery New York, photo by N

 

Giovanni Gastel, Ricerca, 1991, courtesy Image Srl for Giovanni Gastel, photo by N

Giovanni Gastel, Ricerca, 1991, courtesy Image Srl for Giovanni Gastel, photo by N

 

Giovanni Gastel, Mondo uomo, 1985, courtesy Image Srl for Giovanni Gastel, photo by N

Giovanni Gastel, Mondo uomo, 1985, courtesy Image Srl for Giovanni Gastel, photo by N

 

Jannis Kounellis, Untitled, 2013, courtesy of the artist, photo by N

Jannis Kounellis, Untitled, 2013, courtesy of the artist, photo by N

 

Gregory Crewdson, Untitled (Sunday roast), 2005, courtesy of the artist and Gagosian Gallery, New York, photo by N

Gregory Crewdson, Untitled (Sunday roast), 2005, courtesy of the artist and Gagosian Gallery, New York, photo by N

 

Subodh Gupta, Ancestor cupboard, 2012, courtesy of the artist and Hauser & Wirth, London/Zurich, photo by N

Subodh Gupta, Ancestor cupboard, 2012, courtesy of the artist and Hauser & Wirth, London/Zurich, photo by N

 

Mario Merz, Igloo of bread, 1989, Mario Merz Collection, Turin

Mario Merz, Igloo of bread, 1989, Mario Merz Collection, Turin

 

Cindy Sherman, Untitled Metropolis, 1987-1991, Pierre Huber Collection, photo by N

Cindy Sherman, Untitled Metropolis, 1987-1991, Pierre Huber Collection, photo by N

 

Robert Mapplethorpe, Fish, Eggplant, Corn, Grapes, 1985, Robert Mapplethorpe Foundation, New York, photo by N

Robert Mapplethorpe, Fish, Eggplant, Corn, Grapes, 1985, Robert Mapplethorpe Foundation, New York, photo by N

 

Joel-Peter Witkin, Vanity, New Mexico, 1990, Witkin, Feast of fools, 1990, Still life, Marseille, 1992, Harvest, New Mexico, 1981, courtesy of the artist and Boudoin Lebon, photo by N

Joel-Peter Witkin, Vanity, New Mexico, 1990, Witkin, Feast of fools, 1990, Still life, Marseille, 1992, Harvest, New Mexico, 1981, courtesy of the artist and Boudoin Lebon, photo by N

 

Joel-Peter Witkin, Vanity, New Mexico, 1990,courtesy of the artist and Boudoin Lebon, photo by N

Joel-Peter Witkin, Vanity, New Mexico, 1990,courtesy of the artist and Boudoin Lebon, photo by N

 

Braco Dimitrijevic, Heralds of post history, 1997, courtesy of the artist, photo by N

Braco Dimitrijevic, Heralds of post history, 1997, courtesy of the artist, photo by N

 

 

www.triennale.org

vestoj

Coherence, fashion culture, independence, joins cross-culture and the development of an yearly magazine successfully making concrete an alternative to produce and distribute a fashion magazine. All that is Vestoj, The journal of sartorial matters (of whose name means “clothing” in the Esperanto language) created by the brilliant Anja Aronowsky Cronberg which includes in its smashing team the genius Olivier Saillard. The pubblication – which builds a bridge between the academia and industry, has an interdisciplinary approach, encourages the independent thought, forbids the advertising, exists through a transparent raising fund and includes a marvelous blog -, will feature in the (Un)Official International John Galliano Apology Tour which will be held on 11th October 2013 in Paris at Wanderlust (from 8:00 pm to midnight). The event will celebrate the launch of its four issue – focused on the theme of fashion and power – with an evening under the sign of fashion, power and memories which will be enriched by a performance – where the effigy of John Galliano talks about good and bad memories, the constant rewriting of our past and questions about the free will – and the screenings of films as “Office killer” by Cindy Sherman, “The vanished world of gloves” by Jira Barta and “The liberation of Mannique mechanique” by Steven Arnold. A not to be missed happening to enjoy fashion, art and its culture.

INDEPENDENZA & CULTURA DELLA MODA: VESTOJ, THE JOURNAL OF SARTORIAL MATTERS

Vestoj third issue on fashion and shame

Vestoj third issue on fashion and shame

Coerenza, cultura della moda e indipendenza, si uniscono alla contro-cultura e al consolidamento di un magazine annuale che felicemente concretizza un modo alternativo di produrre e distribuire una rivista di moda. Tutto ciò è Vestoj, the journal of sartorial matters ( il cui nome significa “vestito” nella lingua esperanto Esperanto) creato dalla brillante Anja Aronowsky Cronberg che include nel suo formidabile team il geniale Olivier Saillard. La pubblicazione – che costruisce un ponte tra il mondo accademico e l’ industria, ha un approccio interdisciplinare, incoraggia il pensiero indipendente, vieta la pubblicità, esiste attraverso una trasparente raccolta fondi e include un meraviglioso blog -, sarà protagonista dell’ (Un)Official International John Galliano Apology Tour che si terrà l’ 11 ottobre 2013 a Parigi presso Wanderlust (dalle ore 20:00 a mezzanotte). L’ happening celebrerà l’ uscita della sua quarta edizione – incentrata sul tema della moda e del potere – con una serata all’ insegna di moda, potere e ricordi che sarà arricchita da una performance – in cui l’ effigie di John Galliano parla di ricordi belli e brutti, della costante revisione del nostro passato e di libero arbitrio – e dalla proiezione di pellicole quali “Office killer” di Cindy Sherman, “The vanished world of gloves” di Jira Barta e “The liberation of Mannique mechanique” di Steven Arnold. Un evento imperdibile per apprezzare la moda, l’ arte e la sua cultura.

www.vestoj.com