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The moon & Castello Sforzesco, photo by N

The moon & Castello Sforzesco, photo by N

The creativity of bright fashion designer Ludovica Amati featured in the event by White which was held in Milan at the Castello Sforzesco. A suggestive fashion show presented the Spring/Summer 2014 collection she made, joining fashion, art and mysticism, themes that are a leitmotiv of her work. References to “Matronita”, the goddess coming from the Cabalistic tradition expressing the inner and outer beauty are impressed in the collection, embodying the words of the song by Shibipo women, turned in embroidered decorations and prints, refining the creations. Structures and fluid volumes join to the lightness of chiffon. Solemn, austere jackets combine with an overlap of transparencies and lace, reinterpreting the caressing comfort and sensuality of sleepwear. Precious details as the jewel-buttons, created by teaming with the eclectic artist Emiliano Maggi, complete and define a strong and languid at the same time, coral femininity under the sign of art suggestions. The same suggestions have been part of performance art which has accompanied the fashion show, made in collaboration with a team of creatives and artists as Davide Orlandi Dormino, Alessandro di Cola, Silvia Morani, Diego Buongiorno, Gigi Martinucci and Joanna Preiss. A happening which has been a successful experience to set up a dialogue between fashion, art and culture.

WHITE: IL MISTICISMO, LA MODA & LE SUGGESTIONI ARTISTICHE DI LUDOVICA AMATI

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

La creatività della brillante fashion designer Ludovica Amati è stata protagonista dell’ evento del White che si è tenuto a Milano nel Castello Sforzesco. Una suggestiva sfilata ha presentato la collezione primavera/estate 2014 da lei realizzata che unisce moda, arte e misticismo, temi che sono un leitmotiv del suo lavoro work. Riferimenti a “Matronita”, la divinità della tradizione cabalistica che esprime la bellezza interiore ed esteriore sono impressi nella collezione che racchiude il. Canto delle donne Shibipo, trasformato in decorazioni ricamate e stampe che rifiniscono le creazioni. Strutture e volumi fluidi si uniscono alla leggerezza dello chiffon. Solenni, austere giacche si combinano a una sovrapposizione di trasparenze e pizzo, reinterpretando il carezzevole comfort e la sensualità dell’ abbigliamento notturno. Preziosi dettagli quali i bottoni gioiello, creati in collaborazione con l’ eclettico artista Emiliano Maggi, completano e definiscono una forte e al tempo stesso languida femminilità corale all’ insegna di suggestioni artistiche. Le medesime suggestioni sono state parte della performance che ha accompagnato la sfilata, realizzata da un team di creativi e artisti (Davide Orlandi Dormino, Alessandro di Cola, Silvia Morani, Diego Buongiorno, Gigi Martinucci e Joanna Preiss). Un evento che è stato una felice esperienza per avviare un dialogo tra moda, arte e cultura.

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

The performance, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

Ludovica Amati Spring/Summer 2014, photo by Giorgio Miserendino

www.ludovicaamati.com

www.whitetradeshow.it

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

It featured in the latest edition of Milan fashion tradeshow event White the fashion show of Fabio Quaranta which has presented the Spring/Summer 2014 collection he made where it shined and has successfully concreted the idea of democratization of male elegance, considering the fashion show and the creations. There is a return to the paradigm asserted yesterday by Vivienne Westwood concerning the rich who should seems like the poor and the poor who should seem like a rich, a revolutionary idea living again in the creativity of Fabio Quaranta. A thinking elegance of whose the models he used for his fashion show are bringers, creatives artists, more or less young, under the sign of an unusual charme and uniqueness as the artists Zaelia Bishop, Emiliano Maggi, the photographer Angelo Cricchi and many others, celebrating the asymmetries of beauty, subverting the mainstream idea of beauty and evidencing a well made item can be worn by everyone.

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

A harmony between the world of ideas, the project and its result: outfits under the sign of deconstruction, fluidity and comfort, evoking the uniforms worn by the Japan working class – workmen, painters, bricklayers -, country where it exists a great, solemn concept and semiotic of dignity and elegance; the coveralls, a leitmotiv of Fabio, presented also in female white colored version as well as a fluid deconstructed suit and a palette of color including air-blue, ocher, green, grey, red, black and white. A fashion show, a tale which has not easily understandable – or rather as I imagine has misunderstood, considering the contemporary “cultural background” which exists inside out the fashion scene -, I celebrate.

WHITE: LA DEMOCRATIZZAZIONE DELL’ ELEGANZA MASCHILE DI FABIO QUARANTA

The artist Zaelia Bishop in Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

The artist Zaelia Bishop in Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

È stata protagonista dell’ ultima edizione dell’ evento fieristico di moda di Milano White la sfilata di Fabio Quaranta che ha presentato la collezione primavera/estate 2014 da lui realizzata in cui ha brillato ed è stata felicemente concretizzata l’ idea di democratizzazione dell’ eleganza maschile, considerando la sfilata e le creazioni. C’è un ritorno al paradigma affermato ieri da Vivienne Westwood inerente il ricco che doveva sembrare povero e il povero che doveva sembrare ricco, una idea rivoluzionaria che rivive nella creatività di Fabio Quaranta. Una eleganza pensante di cui sono portatori i modelli di cui si è avvalso per la sfilata, creativi, artisti, più o meno giovani all’ insegna di un insolito fascino e dell’ unicità quali gli artisti Zaelia Bishop, Emiliano Maggi, il fotografo Angelo Cricchi e molti altri, la quale celebra le asimmetrie della bellezza, sovverte l’ idea di bellezza del mainstream e dimostra che un capo ben fatto può essere indossato da chiunque.

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Una armonia tra il mondo delle idee, il progetto ed il suo risultato: outfits all’ insegna della decostruzione, fluidità e del comfort che evocano le divise indossate dalla classe operaia del Giappone – operai, imbianchini, muratori -, stato in cui esiste un grande, solenne concetto e una semiotica di dignità ed eleganza; le tute, un leitmotiv di Fabio, presentate anche in versione femminile di colore bianco come anche un fluido, minimale completo e una palette di colori che include blu avio, ocra, verde, grigio, rosso, nero e bianco. Una sfilata, un racconto che non è facilmente comprensibile – o meglio, come immagino, sia stato frainteso, considerando il “background culturale” contemporaneo esistente dentro e fuori l’ ambito della moda – che celebro.

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

The artist Emiliano Maggi wearing Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

The artist Emiliano Maggi wearing Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

The photographer Angelo Cricchi wearing Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

The photographer Angelo Cricchi wearing Fabio Quaranta Spring/Summer 2014, photo by Giorgio Miserendino

www.fabioquaranta.it

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Nature, its culture, art, design and fashion that celebrate old tradition, craftsmanship and sustainability have been the main features at Floracult, the event created by the pioneer fashion designer – of Carmina Campus, brand of ethical fashion which promotes the culture of re-use – which was held in the Rome countryside at La Storta, I Casali del Pino, staged by Studio Dottor, architects studio of Pietro Dottor.

One of the features has been the Scuola per reinventori (School for re-inventors), in its second edition, curated by Clara Tosi Pamphili and Alessio De Navasques which hosted a factory of hand-embroidery and installation that showcased the sketches by Vincenzo Montini along with the vintage clothes by Elisabeth the first

The school for re-inventors

The school for re-inventors

 

The embroiderers at work

The embroiderers at work

 

The embroidery

The embroidery

f 3 5

 

Vincenzo Montini along with the sketches he made that were on show at the School for re-inventors

Vincenzo Montini along with the sketches he made that were on show at the School for re-inventors

It was also on show a bright idea, the digital vegetable garden, which joined the multimedia and the vegetable world, giving the chance to know immediately and easily about a grass by clicking on the picture of a grass.

The digital garden...and...

The digital garden…and…

 

...how it works

…how it works

I also was pleasantly amazed by the exhibition of photographs made by the visual and performer artist Emiliano Maggi which told about the tradition of boar-hunting under the sign of grotesque suggestions.

f 3 14

 

 

Emiliano Maggi

Emiliano Maggi

 

Emiliano Maggi

Emiliano Maggi

 

Craftsmanship, art and jewelry as the creations by Delfina Delettrez, little creatures made of silver, gold and enamel.

Delfina Delettrez

Delfina Delettrez

 

Suggestions concerning interior design by Costanza Algranti, we spoke and she told me how she found everything in the roof oxidized that became an intrinsic part of the furniture she created. The shades depict the silhouette of a woman and other lyrical suggestions that make these creations something beyond interior design and closer to an artwork.

f 3 21

 

 

Costanza Algranti

Costanza Algranti

 

FLORACULT (2): NATURA, ARTE, DESIGN E MODA PER CELEBRARE ARTIGIANALITÀ & SOSTENIBILITÀ

The school for re-inventors

The school for re-inventors

 

Natura, la sua cultura, arte, design e moda che celebrano l’ antica tradizione, l’ artigianalità e la sostenibilità sono stati i principali protagonisti di Floracult, l’ evento creato dalla pionieristica fashion designer – di Carmina Campus, brand of moda ethical che promuove la cultura del riuso – che si è tenuto nella campagna di Roma, a La Storta, I Casali del Pino, allestiti da Studio Dottor, lo studio di architetti di Pietro Dottor.

Uno dei protagonisti è stata la Scuola per reinventori, curata da Clara Tosi Pamphili e Alessio De Navasques che ha ospitato nella sua seconda edizione un laboratorio di ricamo a mano e una installazione che ha esposto i disegni di Vincenzo Montini unitamente agli abiti di Elisabeth the first.

 

The school for re-inventors featuring the sketches by Vincenzo Montini

The school for re-inventors featuring the sketches by Vincenzo Montini

 

The school for re-inventors featuring the sketches by Vincenzo Montini

The school for re-inventors featuring the sketches by Vincenzo Montini

 

È stata anche in mostra una brillante idea, l’ orto digitale che ha unito la multimedialità e il mondo vegetale, offrendo la possibilità di conoscere immediatamente e facilmente una pianta cliccando sull’ immagine di una pianta.

 

The School for re-inventors featuring the sketches by Vincenzo Montini

The School for re-inventors featuring the sketches by Vincenzo Montini

 

Sono stata anche piacevolmente stupita dalla mostra di fotografia realizzate dall’ artista e performer Emiliano Maggi che raccontava la tradizione della caccia al cinghiale all’ insegna di grottesche suggestioni.

 

Emiliano Maggi

Emiliano Maggi

 

 

Emiliano Maggi and his mother

Emiliano Maggi and his mother

 

Artigianalità, arte e gioielli come le creazioni di Delfina Delettrez, piccole creature realizzate in argento, oro e smalto.

Delfina Delettrez and me

Delfina Delettrez and me

 

Le suggestioni inerenti l’ interior design di Costanza Algranti, con cui ho parlato e mi ha detto come abbia trovato tutto nei tetti ossidati che sono diventati una parte intrinseca dei componenti d’ arredo da lei create. Le sfumature ritraggono la silhouette di una donna e altre suggestioni liriche che rendono queste creazioni qualcosa che va al di là dell’ interior design ed è più vicino a un’ opera d’ arte.

 

Costanza Algranti

Costanza Algranti

 

 

Costanza Algranti

Costanza Algranti

 

 

www.floracult.com

www.carminacampus.com

www.ashadedviewonfashion.com

photo by Giorgio Miserendino

photo by Giorgio Miserendino

It had recently held in Rome at the smashing Lorcan O’ Neill Gallery Journal”, the book-launch of “Journal 1992-2012” ( Regard, 46, 00 Euros) by Renate Graf, event which featured the photographs embodied in the book and showcased in the gallery along with a suggestive performance by Emiliano Maggi. Another successful evidence of the powerful work made by an art gallery and its brilliant owner, Lorcan O’ Neill, successfully exploring and showcasing different languages of art coming from contemporary times.

RAFFINATEZZA, FOTOGRAFIA & ARTE: RENATE GRAF & EMILIANO MAGGI ALLA GALLERIA LORCAN O’ NEILL DI ROMA

Renate Graf, photo by Giorgio Miserendino

Renate Graf, photo by Giorgio Miserendino

Si è recentemente tenuta a Roma presso la formidabile Galleria Lorcan O’ Neill Journal”, la presentazione del libro “Journal 1992-2012” (Regard, 46, 00 Euro) di Renate Graf, evento di cui sono state protagoniste le fotografie racchiuse nel libro ed esposte nella galleria unitamente a una suggestiva performance di Emiliano Maggi. Una felice dimostrazione del poderoso lavoro realizzato da una galleria d’ arte e dal suo brillante proprietario, Lorcan O’ Neill che felicemente esplora ed espone differenti linguaggi dell’ arte provenienti dalla contemporaneità.

Renate Graf, photo by Giorgio Miserendino

Renate Graf, photo by Giorgio Miserendino

Renate Graf, photo by Giorgio Miserendino

Renate Graf, photo by Giorgio Miserendino

Renate Graf, the work she made and Lorcan O' Neill, photo by Giorgio Miserendino

Renate Graf, the work she made and Lorcan O’ Neill, photo by Giorgio Miserendino

Lorcan O' Neill smiling, photo by Giorgio Miserendino

Lorcan O’ Neill smiling, photo by Giorgio Miserendino

Lorcan O' Neill and "Journal 1992-2012", the book by Renate Graf,  photo by Giorgio Miserendino

Lorcan O’ Neill and “Journal 1992-2012”, the book by Renate Graf, photo by Giorgio Miserendino

Lorcan O' Neill showing "Journal 1992-2012" by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O’ Neill showing “Journal 1992-2012” by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O' Neill showing "Journal 1992-2012" by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O’ Neill showing “Journal 1992-2012” by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O' Neill showing "Journal 1992-2012" by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O’ Neill showing “Journal 1992-2012” by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O' Neill showing "Journal 1992-2012" by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O’ Neill showing “Journal 1992-2012” by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O' Neill showing "Journal 1992-2012" by Renate Graf to a friend, photo by Giorgio Miserendino

Lorcan O’ Neill showing “Journal 1992-2012” by Renate Graf to a friend, photo by Giorgio Miserendino

The bright artist Pietro Ruffo holding his copy of "Journal 1992-2012", by Renate Graf at the Lorcan O' Neill Gallery in the crowd which peopled the gallery, photo by Giorgio Miserendino

The bright artist Pietro Ruffo holding his copy of “Journal 1992-2012”, by Renate Graf at the Lorcan O’ Neill Gallery in the crowd which peopled the gallery, photo by Giorgio Miserendino

Delfina Delettrez and a friend, photo by Giorgio Miserendino

Delfina Delettrez and a friend, photo by Giorgio Miserendino

Delfina and a friend, photo by Giorgio Miserendino

Delfina and a friend, photo by Giorgio Miserendino

A charming man evoking the timeless style of brand Technobohemien by John Malkovich, photo by Giorgio Miserendino

A charming man under the sign of a timeless style, photo by Giorgio Miserendino

Sergio Zambon talking with a friend at the Lorcan O' Neill Gallery, photo by Giorgio Miserendino

Sergio Zambon talking with a friend at the Lorcan O’ Neill Gallery, photo by Giorgio Miserendino

ergio Zambon talking with a friend at the Lorcan O' Neill Gallery, photo by Giorgio Miserendino

Sergio Zambon talking with a friend at the Lorcan O’ Neill Gallery, photo by Giorgio Miserendino

Sergio Zambon on the left along with the crowd waiting for the start of performance by Emiliano Maggi, photoby Giorgio Miserendino

Sergio Zambon on the left along with the crowd waiting for the start of performance by Emiliano Maggi, photoby Giorgio Miserendino

Emilano Maggi performing, photo by Giorgio Miserendino

Emiliano Maggi performing, photo by Giorgio Miserendino

Emiliano Maggi, photo by Giorgio Miserendino

Emiliano Maggi, photo by Giorgio Miserendino

Lorcan O' Neill, photo by Giorgio Miserendino

Lorcan O’ Neill, photo by Giorgio Miserendino

www.lorcanoneill.com

renate graf

Journal 1992-2012”(Regard, 46.00 Euros) is the visual diary by the photographer Renate Graf, embodying her thoughts, travels and creative suggestions, shared with the husband – the painter and sculptor Anselm Kiefer – that will feature in “Journal”, a book presentation and exhibition of photographs that are included in it which will be held on 6th April 2013, from 6:30 to 8:00 pm, in Rome at the renowned Lorcan O’ Neill Gallery  and will include also a performance by Emiliano Maggi at 7:00 pm. A not to be missed happening to enjoy vibrant artists and the work of a genuine cathedral of contemporary art .

“JOURNAL”, IL DIARIO VISIVO DI RENATE GRAF ALLA GALERIA LORCAN O’ NEILL DI ROMA

Renate Graf

Renate Graf

Journal 1992-2012” (Regard, 46.00 Euro) è il diario visivo della fotografa Renate Graf che racchiude i suoi pensieri, viaggi e le suggestioni creative condivise con il marito – il pittore e scultore Anselm Kiefer – che saranno protagonisti “Journal”, una presentazione del libro e mostra delle foto in esso incluse che si terrà il 6 aprile 2013, dalle 18:30 alle ore 20:00, a Roma presso la rinomata Galleria Lorcan O’ Neill e includerà anche una performance di Emiliano Maggi alle ore 19:00. Un evento imperdibile per apprezzare vibranti artisti e l’ opera di una autentica cattedrale dell’ arte contemporanea.

Renate Graf

Renate Graf

Renate Graf

Renate Graf

Renate Graf

Renate Graf

www.lorcanoneill.com