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Nico Vascellari, photo by N

Nico Vascellari, photo by N

Visual, performance art and music – sounds where batucada dialogues with noise, samba and electro music – is the universe drawn by Nico Vascellari, peopled by mystery, atavistic and ancestral energies. Nature, the body, its lyricism, an ontology of being which meets the urge of creating, immediacy of a gesture, making the things happen. This is what shines in his eclectic artistic path. The brilliant artist, very appreciated by Marina Abramovic – with whom he has also set up a performance, featured in the Venice Biennale in 2007, he is founder of Ninos Du Brasil, has been member of With Love and Lago Morto, later he gave rise to Codalunga, the Vittorio Veneto space-studio where he sets up events and concerts -, will feature in an unseen, site-specific project including an installation of bronze sculpture, lightened by two latest works he made that move continuously shadow and light, woodland atmospheres, emphasized by a performance, curated by Pier Paolo Pancotto which will be held on 31st March 2016 at 7:00 pm – and will be on show, running through one week – in Rome at Villa Medici in the Pavillion Ferdinando De’ Medici, in its two rooms, the Birds and Sunrise Room, during Art Club, the section of “I giovedi della Villa”, focused on contemporary creativity and visual arts. A not to be missed event to discover and enjoy a genuine and vibrant artist.

LE ENERGIE MISTERICHE E ANCESTRALI DI NICO VASCELLARI PROTAGONISTE DI “ART CLUB” A VILLA MEDICI

Bronze sculpture by Nico Vascellari which will be onn show at Villa Medici

Bronze sculpture by Nico Vascellari which will be onn show at Villa Medici, photo courtesy of Nico Vascellari

Arti visive, performative e musica – sonorità in cui la batucada dialoga con noise, samba ed elettronica -, l’ universo disegnato da Nico Vascellari, popolato da energie misteriche, ataviche e ancestrali. La natura, il corpo, il suo lirismo, un’ ontologia dell’ essere che incontra l’ urgenza di creare, istantaneità di un gesto, di far accadere le cose. Questo è ciò che risplende nel suo eclettico percorso artistico. Il brillante artista, tanto apprezzato da Marina Abramovic – con cui ha peraltro allestito una performance, ha partecipato alla Biennale di Venezia nel 2007, è fondatore dei Ninos Du Brasil, è stato membro di With Love e Lago Morto, in seguito ha dato vita a Codalunga, lo spazio-studio di Vittorio Veneto, in cui organizza eventi e concerti – , sarà protagonista di un progetto inedito, site-specific che comprende una installazione di sculture bronzee, illuminate da due lavori recenti che spostano di continuo ombra e luce, atmosfere silvestri enfatizzate da una performance, curata da Pier Paolo Pancotto che si terrà il 31 marzo 2016 alle ore 19:00 – e sarà in mostra per una settimana – a Roma presso Villa Medici, nel Padiglione Ferdinando De’ Medici, nelle sue due sale, la Sala degli Uccelli e dell’ Auroranell’ ambito di Art Club, la sezione de “I giovedi della Villa” incentrata sulla creatività contemporanea e le arti visive. Un evento imperdibile per scoprire e apprezzare un autentico e vibrante artista.

Villa Medici -  Vascellari (1)

www.codalunga.org

photo by N

photo by N

Art and food”, the exhibition curated by Germano Celantrunning through 1st November 2015 -, was recently opened at the Milan Triennale Design Museum, which is the only thematic area placed in the Milan city centre of event Expo Milan 2015. It was a smashing display of art exploring the relationship with food, emphasized by many references and an amazing selections of objects and furniture. I start talking about that in reverse, showing  many works being in third section of the exhibition which is placed on the first floor of museum, featuring celebrated contemporary artworks (paintings, sculptures, videos and installations). That is the part of exhibition I appreciated mostly for its lightness though the myriad of artworks that here were on show – among whom I was glad to see the works by Joel-Peter Witkin, Gregory Crewdson, an installation by the fashion designer Issey Miyake along with the ones made by other celebrated artists.

L’ INAUGURAZIONE DELLA MOSTRA “ART & FOOD” AL MUSEO DEL DESIGN DELLA TRIENNALE DI MILANO (1)

Jeff Koons, Cake, 1995-1997, private collection, photo by N

Jeff Koons, Cake, 1995-1997, private collection, photo by N

Art and food”, la mostra curata da Germano Celantche prosegue fino all’ 1 novembre 2015 -, è stata recentemente inaugurata presso il Museo del Design della Triennale di Milano, unica area tematica ubicata nel centro di Milano dell’ evento Expo Milano 2015. Una formidabile rassegna d’ arte che esplora la relazione con il cibo, enfatizzata da plurimi riferimenti e una incredibile selezione di oggetti e arredi. Ne comincio a parlare a ritroso, mostrando varie opere che si trovano nella terza sezione della mostra che è ubicata al primo piano del museo, di cui sono protagoniste vare opere d’ arte contemporanea (dipinti, sculture, collage, video e installazioni). Questa è la parte della mostra che ho apprezzato di più per la sua leggerezza nonostante la myriade delle opere d’ arte ivi esposte – tra cui mi ha rallegrato vedere le opere di Joel-Peter Witkin, Gregory Crewdson, un’ installazione del fashion designer Issey Miyake insieme a quelle di molti altri celebri artisti.

  Jeff Koons, bread with egg, 1995-1997, courtesy the artist and Jérôme de Noirmont, Paris


Jeff Koons, bread with egg, 1995-1997, courtesy the artist and Jérôme de Noirmont, Paris, photo by N

 

photo by N

photo by N

 

photo by N

photo by N

 

photo by N

photo by N

 

photo by N

photo by N

 

Tom Friedman, big big mac, 2013, courtesy of Luhring Augustine, New York and Stephen Friedman Gallery, London

Tom Friedman, big big mac, 2013, courtesy of Luhring Augustine, New York and Stephen Friedman Gallery, London

 

Inka Shonibare Mbe, Champagne kid(Fallen), B(w)anker (2), 2013, courtesy of the artist and Stephen Friedman Gallery London, photo by N

Inka Shonibare Mbe, Champagne kid(Fallen), B(w)anker (2), 2013, courtesy of the artist and Stephen Friedman Gallery London, photo by N

 

Wim Delvoye, Personal cloaca, 2006, courtesy of the artist

Wim Delvoye, Personal cloaca, 2006, courtesy of the artist

 

Nate Lowman, Blood orange is the new kale, 2013, courtesy of the artist

Nate Lowman, Blood orange is the new kale, 2013, courtesy of the artist

 

Elad Lassry, Kitchen, 2010, private collection, Milan, Eggs, 2010, Carlo Beldi Collection, Milan, Meat, Onion, 2010, Ringier Collection Switzerland, Short ribs, eggs, 2012, private collection, photo by N

Elad Lassry, Kitchen, 2010, private collection, Milan, Eggs, 2010, Carlo Beldi Collection, Milan, Meat, Onion, 2010, Ringier Collection Switzerland, Short ribs, eggs, 2012, private collection, photo by N

 

Mario Botta, La Petra Winery, Suvereto, 2003, Petra, Terra Moretti Group, photo by N

Mario Botta, La Petra Winery, Suvereto, 2003, Petra, Terra Moretti Group, photo by N

 

Gae Aulenti, Tenuta di Campo Sasso, Bibbona, 2003-2004, Gae Aulenti Archive,  photo by N

Gae Aulenti, Tenuta di Campo Sasso, Bibbona, 2003-2004, Gae Aulenti Archive, photo by N

 

Renzo Piano,  La Rocca Winery at Frassinello, Gavorrano, 2006, photo by N

Renzo Piano, La Rocca Winery at Frassinello, Gavorrano, 2006, photo by N

 

Richard Meier, Felida, 2012, courtesy Galerie Gmurzynska AG, photo by N

Richard Meier, Felida, 2012, courtesy Galerie Gmurzynska AG, photo by N

 

Igor Baskakov, Mars, 1999, courtesy Galerie Gmurzynska AG, photo by N

Igor Baskakov, Mars, 1999, courtesy Galerie Gmurzynska AG, photo by N

 

Igor Baskakov, Twix, 2001, courtesy Galerie Gmurzynska AG, photo by N

Igor Baskakov, Twix, 2001, courtesy Galerie Gmurzynska AG, photo by N

 

Jani Leinonen, Or Flakes: Slave or Slut, 2010, courtesy Galerie Gmurzynska AG, photo by N

Jani Leinonen, Or Flakes: Slave or Slut, 2010, courtesy Galerie Gmurzynska AG, photo by N

 

Nathalie Djurberg, man with the ice-cream, 2012, The Michael Storåkems Collection, photo by N

Nathalie Djurberg, man with the ice-cream, 2012, The Michael Storåkems Collection, photo by N

 

Nathalie Djurberg, bang your little drums, duration 10'42", music by Hans Berg, Giò Marconi, Milan

Nathalie Djurberg, bang your little drums, duration 10’42”, music by Hans Berg, Giò Marconi, Milan

 

Marc Quinn, Flesh painting( on sensualism), 2012, private collection, photo by N

Marc Quinn, Flesh painting( on sensualism), 2012, private collection, photo by N

 

Cai Guo-Qiang, Sunshine and solitude: poppy flowers, 2010, courtesy of the artist, photo by N

Cai Guo-Qiang, Sunshine and solitude: poppy flowers, 2010, courtesy of the artist, photo by N

 

Pleats please by Issey Miyake, photo by N

Pleats please by Issey Miyake, photo by N

 

Pleats please by Issey Miyake, phot by N

Pleats please by Issey Miyake, phot by N

 

Pleats please by Issey Miyake, phot by N

Pleats please by Issey Miyake, phot by N

 

Pleats please by Issey Miyake, phot by N

Pleats please by Issey Miyake, phot by N

 

Hassan Hajjaj, Ilham, 2000, courtesy of the artist and Taymour Grahne Gallery, New York

Hassan Hajjaj, Ilham, 2000, courtesy of the artist and Taymour Grahne Gallery, New York

 

Miles Aldridge, first impression 1, firts impression 2, 2006, courtesy Steven Kasher Gallery, New York, photo by N

Miles Aldridge, first impression 1, firts impression 2, 2006, courtesy Steven Kasher Gallery, New York, photo by N

 

Paul McCarthy, Bossy burger, 1991, video, duration 58' 59", photo by N

Paul McCarthy, Bossy burger, 1991, video, duration 58′ 59″, photo by N

 

Mona Hatoum, Deep throat, 1996, courtesy by the artist

Mona Hatoum, Deep throat, 1996, courtesy by the artist

 

Mona Hatoum, Deep throat, 1996, courtesy by the artist

Mona Hatoum, Deep throat, 1996, courtesy by the artist

 

Shen Wei, Bag from the series "Table setting", 2010, courtesy of the artist and Flowers Gallery, New York

Shen Wei, Bag from the series “Table setting”, 2010, courtesy of the artist and Flowers Gallery, New York

 

Thomas Demand, Stove, 2014, courtesy of the artist, VG Bild-Kunst, Bonn,  Sprüth Magers, photo by N

Dennis Oppheneim, Sleeping dogs, 1997, private collection, photo by N

 

Ron Mueck, Woman with shopping, 2013, Fondation Cartier pour l' art contemporain, Paris, photo by N

Ron Mueck, Woman with shopping, 2013, Fondation Cartier pour l’ art contemporain, Paris, photo by N

 

George Steinmetz, at the Nutribras pig farm in Brazil, 2nd September 2013, courtesy of the artist, photo by N

George Steinmetz, at the Nutribras pig farm in Brazil, 2nd September 2013, courtesy of the artist, photo by N

 

Barbara Kruger, untitled( God sends the meat and the devil cooks), 1988, collection famille Servais, photo by N

Barbara Kruger, untitled( God sends the meat and the devil cooks), 1988, collection famille Servais, photo by N

 

house of bread, photo by N

house of bread, photo by N

 

house of bread, photo by N

house of bread, photo by N

 

Vanessa Beecroft, VB 52.168.NT, 2003-2007, private collection, courtesy of Galleria Lia Rumma, Milano, Napoli, photo by N

Vanessa Beecroft, VB 52.168.NT, 2003-2007, private collection, courtesy of Galleria Lia Rumma, Milano, Napoli, photo by N

 

Frank O. Gehry, the gift fish, 1985, Castello di Rivoli Contemporary Art Museum, long term deposit Marco Rivetti Foundation, Rivoli-Turin, photo by N

Frank O. Gehry, the gift fish, 1985, Castello di Rivoli Contemporary Art Museum, long term deposit Marco Rivetti Foundation, Rivoli-Turin, photo by N

 

Andres Serrano, black supper, 1990, private collection, London, photo by N

Andres Serrano, black supper, 1990, private collection, London, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

Sophie Calle, The chromatic diet, 1998, courtesy of the artist and Paula Cooper gallery, New York, photo by N

 

Marina Abramovic, the onion, 1995, courtesy Marina Abramovic and Sean Kelly Gallery, New York, photo by N

Marina Abramovic, the onion, 1995, courtesy Marina Abramovic and Sean Kelly Gallery, New York, photo by N

 

Joann Verburg, still life with Jim, 1991, courtesy of the artist and Pace MacGill Gallery, New York, photo by N

Joann Verburg, still life with Jim, 1991, courtesy of the artist and Pace MacGill Gallery, New York, photo by N

 

Mimmo Jodice, Eden-opera n. 45, 48, 1995, courtesy of the artist, photo by N

Mimmo Jodice, Eden-opera n. 45, 48, 1995, courtesy of the artist, photo by N

 

Sally Mann, Yard eggs, 1991, courtesy of the artist and Gagosian Gallery New York, photo by N

Sally Mann, Yard eggs, 1991, courtesy of the artist and Gagosian Gallery New York, photo by N

 

Giovanni Gastel, Ricerca, 1991, courtesy Image Srl for Giovanni Gastel, photo by N

Giovanni Gastel, Ricerca, 1991, courtesy Image Srl for Giovanni Gastel, photo by N

 

Giovanni Gastel, Mondo uomo, 1985, courtesy Image Srl for Giovanni Gastel, photo by N

Giovanni Gastel, Mondo uomo, 1985, courtesy Image Srl for Giovanni Gastel, photo by N

 

Jannis Kounellis, Untitled, 2013, courtesy of the artist, photo by N

Jannis Kounellis, Untitled, 2013, courtesy of the artist, photo by N

 

Gregory Crewdson, Untitled (Sunday roast), 2005, courtesy of the artist and Gagosian Gallery, New York, photo by N

Gregory Crewdson, Untitled (Sunday roast), 2005, courtesy of the artist and Gagosian Gallery, New York, photo by N

 

Subodh Gupta, Ancestor cupboard, 2012, courtesy of the artist and Hauser & Wirth, London/Zurich, photo by N

Subodh Gupta, Ancestor cupboard, 2012, courtesy of the artist and Hauser & Wirth, London/Zurich, photo by N

 

Mario Merz, Igloo of bread, 1989, Mario Merz Collection, Turin

Mario Merz, Igloo of bread, 1989, Mario Merz Collection, Turin

 

Cindy Sherman, Untitled Metropolis, 1987-1991, Pierre Huber Collection, photo by N

Cindy Sherman, Untitled Metropolis, 1987-1991, Pierre Huber Collection, photo by N

 

Robert Mapplethorpe, Fish, Eggplant, Corn, Grapes, 1985, Robert Mapplethorpe Foundation, New York, photo by N

Robert Mapplethorpe, Fish, Eggplant, Corn, Grapes, 1985, Robert Mapplethorpe Foundation, New York, photo by N

 

Joel-Peter Witkin, Vanity, New Mexico, 1990, Witkin, Feast of fools, 1990, Still life, Marseille, 1992, Harvest, New Mexico, 1981, courtesy of the artist and Boudoin Lebon, photo by N

Joel-Peter Witkin, Vanity, New Mexico, 1990, Witkin, Feast of fools, 1990, Still life, Marseille, 1992, Harvest, New Mexico, 1981, courtesy of the artist and Boudoin Lebon, photo by N

 

Joel-Peter Witkin, Vanity, New Mexico, 1990,courtesy of the artist and Boudoin Lebon, photo by N

Joel-Peter Witkin, Vanity, New Mexico, 1990,courtesy of the artist and Boudoin Lebon, photo by N

 

Braco Dimitrijevic, Heralds of post history, 1997, courtesy of the artist, photo by N

Braco Dimitrijevic, Heralds of post history, 1997, courtesy of the artist, photo by N

 

 

www.triennale.org

abramovic furla

The renowned Furla Foundation celebrates with a cocktail party “The Abramović method” by Marina Abramović, film directed by Giada Colagrande which will be premiered today during the Venice International Film Festival at Villa Zavagli, from 6:00 to 10:00 pm,  a not to be missed, laudable event to enjoy contemporary art, the film and its suggestions.

IL FESTIVAL INTERNAZIONALE DEL CINEMA DI VENEZIA: LA FONDAZIONE FURLA CELEBRA L’ ANTEPRIMA DI “THE ABRAMOVIĆ   METHOD” 

La rinomata Fondazione Furla celebra con un cocktail The Abramović method” di Marina Abramović, pellicola diretta da Giada Colagrande che sarà presentata in anteprima oggi in occasione del Festival Internazionale del Cinema di Venezia presso Villa Zavagli, dalle ore 18:00 alle ore 22:00, un imperdibile, lodevole evento per apprezzare l’ arte contemporanea, il cinema e le sue suggestioni.

Marina Abramović

Marina Abramović

www.fondazionefurla.org

Sherry Vine as Lady Gaga in the video parody she made

Sherry Vine as Lady Gaga in the Marina Abramovic video parody she made

The brilliant New York artist Sherry Vine recently released a new parody on video, a smashing, hilarious and flatulent version of the video featuring the pop-star Lady Gaga who practices the Abramovic method which has included in the Kickstarter page by the Abramovic Institute to ask for people to contribute in order to give rise to the Abramovic Institute, place where the celebrated performer artist Marina Abramovic will teach and practice her method (though this project seems like the rise of a kind of ashram, a cathedral of a new orthodoxy, the performance art, which should be just art, but it doesn’ t seem very connected to the art, instead it sounds like an art marketing operation by a mainstream artist who uses an independent circuit or rather a virtual platform supporting independent projects for giving rise to a project which maybe other renowned mainstream institutions, foundations working in the realm of art could support. Thus it sounds a little bit out of context. I wish to Marina Abramovic, an artist I respect, to get the success she deserves and I thank her as this video made me think about different issues – as the status quo of art, the connection of art, real art and art marketing as well as to what is named and considered as art during the contemporary times, as well as the Gagosianizations, the way of developing art marketing in the mainstream today, considering one of its famous personas, Larry Gagosian, the way of being and making the art dealer in the contemporary times, comparing his way and Leo Castelli’s way, the celebrated art dealer who hosted in his art gallery artists as Jackson Pollock, Robert Rauschenberg, Roy Liechtenstein, Andy Warhol, Cy Twombly, Richard Serra and many others -, topics I will talk during the forthcoming times). A fun video which make think about and evokes the ethic of Molière, who made fun of the more controversial and tragic sides of humanity.

L’ ARTE DELLA FLATULENZA: LA VIDEO PARODIA DEL METODO ABRAMOVIC DI SHERRY VINE

La brillante artista newyorkese Sherry Vine ha recentemente pubblicato una nuova parodia su video, una formidabile, ilare e flatulenta versione del video di cui è protagonista la pop-star Lady Gaga che pratica il metodo Abramovic che è stato incluso nella pagina di Kickstarter dell’ Abramovic Institute per chiedere alla gente di contribuire per dar vita all’ Abramovic Institute, luogo in cui la celebre performer artist Marina Abramovic insegnerà e praticherà il suo metodo ( benchè questo progetto appaia come la nascita di una sorta di ashram, una cattedrale di una nuova ortodossia, la performance art, che dovrebbe essere soltanto arte, ma non sembra molto legata all’ arte, appare invece come una operazione di marketing dell’ arte di un’ artista del mainstream che usa un circuito indipendente o meglio una piattaforma virtuale che sostiene progetti indipendenti per dar vita a un progetto che magari altre celebri istituzioni, fondazioni di mainstream che operano nell’ ambito dell’ arte avrebbero potuto supportare. Pertanto ciò mi sembra alquanto fuori contesto. Auguro a Marina Abramovic, un’ artista che rispetto, di ottenere il successo che merita e la ringrazio, poiché questo video mi ha fatto pensare a svariate problematiche – quali lo status quo dell’ arte, il legame dell’ arte, la vera arte e il marketing dell’ arte, come anche a ciò che è chiamato e considerato arte nella contemporaneità e alle Gagosianizzazioni, il modo di consolidare il marketing dell’ arte nel mainstream oggi, considerando uno dei suoi personaggi più famosi, Larry Gagosian, il modo di essere e fare il gallerista nella contemporaneità, comparando ciò con quello di Leo Castelli, il celebre gallerista che ha ospitato nella sua galleria artisti quali Jackson Pollock, Robert Rauschenberg, Roy Liechtenstein, Andy Warhol, Cy Twombly, Richard Serra e molti altri -, tematiche di cui parlerò nei tempi a venire). Un divertente video che fa pensare ed evoca l’ etica di Molière che si prendeva gioco degli aspetti più discutibili e tragici dell’ umanità.

http://sherryvine.com/

Marina Abramovic along with the dancers, photo by Agathe Poupeney

Marina Abramovic along with the dancers, photo by Agathe Poupeney

It is currently on stage of Paris Opera Theatre, running through 2nd June 2013, “Boléro”, the ballet inspired by the famous music, a song of love, composed by Ravel, made by the celebrated artist Marina Abramovic along with Sidi Larbi Cherkaoui and Damien Jalet, the choreographers, who return to a legendary work of twentieth century, the one made by an unforgettable choreographer Maurice Béjart (and a ballet “Bolero”, my favorite ballet, featuring Luciana Savignano I was very glad to see many years ago). Dance and fashion or more specifically costumes that are designed by Riccardo Tisci, the creative director of Givenchy. A not to be missed masterpiece to see and enjoy.

BOLÉRO, IL BALLETTO DI MARINA ABRAMOVIC AL TEATRO DELL’ OPERA DI PARIGI 

È attualmente sul palcoscenico del Teatro dell’ Opera di Parigi che prosegue fino al 2 giugno 2013, “Boléro”, il balletto che si ispira alla famosa musica, un canto d’ amore, composto da Ravel, realizzato dalla celebre artista Marina Abramovic unitamente a Sidi Larbi Cherkaoui e Damien Jalet, i choreografi, che ritornano a un’ opera leggendaria del ventesimo secolo, quello realizzato da un indimenticabile coreografo Maurice Béjart (e un balletto “Bolero”, il mio balletto preferito, con Luciana Savignano che sono stata molto felice di vedere tanti anni fa). La danza e moda o più specificamente i costume che sono stati disegnati da Riccardo Tisci, il direttore creativo di Givenchy. Un imperdibile capolavoro da vedere e apprezzare.

www.operadeparis.fr

“Art must be beautiful” by Marina Abramovic

It was recently opened “Back to simplicity”, an exhibition featuring the bright Serbian artist and performer Marina Abramovic which will be held until 29th January 2011in Sao Paulo at the Luciana Brito Galeria. Here it will be presented for the first time in Brazil her latest works as the series “Back to simplicity”, depicting the need of re- establishing a contact with nature in its most immediate forms, evoking the pleasure arising from “ being under a tree” – as the artist asserts – holding a lamb for two days in complete joy”.

“BACK TO SIMPLICITY” DI MARINA ABRAMOVIC PRESSO LA LUCIANA BRITO GALERIA DI SAN PAOLO

“Back to simplicity” by Marina Abramovic

É stata recentemente inaugurata “Back to simplicity”, una mostra che ha quale protagonista la brillante artista e performer serba Marina Abramovic che si terrà fino al 29 gennaio 2011 a San Paolo presso la Luciana Brito Galeria. Ivi saranno presentate per la prima volta in Brasile i suoi ultimi lavori quali la serie “Back to simplicity” che dipinge l’esigenza di ristabilire un contatto con la natura nelle sue forme più immediate, evocando il piacere che nasce dallo “ stare sotto un albero” – come afferma l’artista -, abbracciare un agnello per due giorni in completa gioia”.

"Back to simplicity" by Marina Abramovic

"Back to simplicity" by Marina Abramovic

"Back to simplicity" by Marina Abramovic

www.lucianabritogaleria.com.br