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Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

Experimentation, reinterpretations and innovations, an atmosphere smelling of creativity, those are the main features of Talents 2016, fashion contest of the Rome Costume and Fashion Academy – which was held at the marvelous building of Rome Ex Dogana, place under the sign of industrial, metropolitan suggestions and contemporary times where took place the events curated by Altaroma – which featured the final works by the graduated students of the renowned fashion school headed by Lupo Lanzara and Adrien Yakimov Roberts as director of education, showed behind a jury of experts as Silvia Venturini Fendi (President of Altaroma), Carlo Capasa (President of the National Chamber of Italian Fashion), Laura Lusuardi (Max Mara Creative Director), Leonardo Pucci (Christian Dior) and many others. Ilaria Fiore won this edition, who has also awarded with a special prize for the accessories she made. The bright creative made a capsule collection joining sartorialism and experimentation, combines the cloth with leather, where the accessories or rather bags and belts become a fundamental part of dress (though they are removable). Lightness, minimalism, rebellion against family, father and dialectics of power is what the collection by Deniza Nugnes talks about, who – as she told me days ago, during the fitting of the fashion show which was held at the Costume & Fashion Academy – has inspired by the cultural revolution from 1968 and subverted the male wardrobe, its constructions giving rise to minimal essential garments and successful asymmetries. Many are the ideas on the move drawing new shapes and lines as the sphere becoming the fundamental idea of the collection by Andrea Maria di Salvo where white is the main features, which embodies many theatrical references.

 Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

ALTAROMA: I TALENTS 2016 DELL’ ACCADEMIA DI COSTUME & MODA DI ROMA

 Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

Sperimentazione, reinterpretazioni e innovazioni, un’ atmosfera che profuma di creatività, questi i principali protagonisti di Talents 2016, il fashion contest dell’ Accademia Costume e Moda di Roma -che si è tenuto nei  meravigliosi spazi dell’ Ex Dogana di Roma, luogo all’ insegna di suggestioni industrial, metropolitane e contemporaneità  in cui hanno avuto luogo gli eventi curati da Altaroma – di cui sono stati protagonisti i final works degli studenti neo-diplomati nella rinomata scuola di moda diretta da Lupo Lanzara e da Adrien Yakimov Roberts nelle vesti di direttore didattico, che sono stati presentati dinanzi a una giuria di esperti quali Silvia Venturini Fendi (Presidente di Altaroma), Carlo Capasa (Presidente della Camera Nazionale della Moda Italiana), Laura Lusuardi (Direttore Creativo di Max Mara), Leonardo Pucci (Christian Dior) e molti altri. Vincitrice di questa edizione è Ilaria Fiore, la quale è stata insignita anche di un premio speciale per gli accessori da lei realizzati. La brillante creativa ha creato una collezione capsule che unisce sartorialità e sperimentazione, abbina il tessuto alla pelle, in cui gli accessori ovvero borse e cinture diventano parte integrante dell’ abito (pur essendo rimovibili). Leggerezza, minimalismo e ribellione contro la famiglia e la dialettica del potere è ciò di cui parla la collezione di Deniza Nugnes, la quale -. come mi ha detto giorni fa, durante il fitting della sfilata che si è tenuto all’ Accademia di Costume e Moda – si è ispirata alla rivoluzione culturale del 1968 ed ha sovvertito il guardaroba maschile, le sue costruzioni dando vita a capi minimali e felici asimmetrie. Plurime le idee in movimento che disegnano nuove forme e linee quali la sfera che diventa il concetto fondante della collezione di Andrea Maria di Salvo in cui il bianco è il principale protagonista, la quale racchiude in sé plurimi riferimenti teatrali.

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Ilaria Fiore, photo courtesy of Ilaria Fiore

Ilaria Fiore, photo courtesy of Ilaria Fiore

 

Me, myself & I along with Fabiana Balestra, photo by Raffaella Scordino

Me, myself & I along with Fabiana Balestra, photo by Raffaella Scordino

 

Me, myself & I along with Ari Seth Cohen, photo by Raffaella Scordino

Me, myself & I along with Ari Seth Cohen, photo by Raffaella Scordino

 

 

Me, myself & I with Raffaella Scordino, photo by N

Me, myself & I with Raffaella Scordino, photo by N

 

Andrea Maria di Salvo, photo by Luca Sorrentino

Andrea Maria di Salvo, photo by Luca Sorrentino

 

Andrea Maria di Salvo, photo by Luca Sorrentino

Andrea Maria di Salvo, photo by Luca Sorrentino

 

Me, myself and I with Livia Risi, photo by Raffaella Scordino

Me, myself and I with Livia Risi, photo by Raffaella Scordino

 

Me, myself & I along with Enrico Quinto, photo by Raffaella Scordino

Me, myself & I along with Enrico Quinto, photo by Raffaella Scordino

 

Deniza Nugnes, photo courtesy of Deniza Nugnes

Deniza Nugnes, photo courtesy of Deniza Nugnes

 

Deniza Nugnes, photo courtesy of Deniza Nugnes

Deniza Nugnes, photo courtesy of Deniza Nugnes

 

Deniza Nugnes, photo courtesy of Deniza Nugnes

Deniza Nugnes, photo courtesy of Deniza Nugnes

 

Deniza Nugnes, photo courtesy of Deniza Nugnes

Deniza Nugnes, photo courtesy of Deniza Nugnes

 

Deniza Nugnes, photo courtesy of Deniza Nugnes

Deniza Nugnes, photo courtesy of Deniza Nugnes

 

Deniza Nugnes, photo courtesy of Deniza Nugnes

Deniza Nugnes, photo courtesy of Deniza Nugnes

 

The models at the backstage of fashion show wearing the creations by Deniza Nugnes, photo courtesy of Deniza Nugnes

The models at the backstage of fashion show wearing the creations by Deniza Nugnes, photo courtesy of Deniza Nugnes

 

A model at the backstage of fashion show wearing the creations by Deniza Nugnes, photo courtesy of Deniza Nugnes

A model at the backstage of fashion show wearing the creations by Deniza Nugnes, photo courtesy of Deniza Nugnes

 

Carlo Capasa at the backstage of fashion show, photo by N

Carlo Capasa at the backstage of fashion show, photo by N

 

Me, myself & I along with Deniza Nugnes at the backstage of fashion show, photo by N

Me, myself & I along with Deniza Nugnes at the backstage of fashion show, photo by N

 

Nicolas Garcia Bernal, the winner of Talents 2015 edition at the backstage of fashion show, wearing a creation he made, photo by N

Nicolas Martin Garcia, the winner of Talents 2015 edition at the backstage of fashion show, wearing a creation he made, photo by N

 

A student turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

A student of  Rome Costume & Fashion Academy  turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

 

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

 

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

 

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

 

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

 

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

 

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

A student of Rome Costume & Fashion Academy turned into model for a moment wearing the creation by Deniza Nugnes, photo by N

 

Deniza Nugnes and Ilaria Fiore at work during the fitting of Talents' 2016 fashion show, photo by N

Deniza Nugnes and Ilaria Fiore at work during the fitting of Talents’ 2016 fashion show, photo by N

 

Me. myself & I along with Adrien Yakimov Roberts at the Rome Costume & Fashion Academy, photo by N

Me. myself & I along with Adrien Yakimov Roberts at the Rome Costume & Fashion Academy, photo by N

 

 

www.accademiacostumeemoda.it

www.altaroma.it

Rome Coin Excelsior, photo by N

Rome Coin Excelsior, photo by N

Emerging creativity and the talent-scouting work started by Altaroma featured in the pre-opening of its Winter edition, developing the successful teaming – started since the last year – with Coin Excelsior, the Rome multi-brand department store, focused on contemporary fashion which hosted the creations of the Who Is On Next talent-scouting award finalists as Catherine de’ Medici 1533, Elena Ghisellini, Giancarlo Petriglia, L72 along with the fashion show of Quattromani. The Fall/Winter 2016-2017 collection by this brand, created by the fashion designers duo formed by Massimo Noli and Nicola Frau, pays homage to the Sardinia suggestions, the ritual of Argia spider, reinterpreting a legend which talks about songs and dances between women – a single, a married and a widow – as remedy to heal from the poisonous bite of spider. A tale under the sign of femininity made of new Seventies volumes caressing the silhouette, short, fluid lines, mohair, wool, “nowind” technical cloth, crêpe and eco-fur. A healthy optimism is embodied in the palette of colors including mustard, red, black, blue as well as pink, azure, camel and white details enriching the garments.

LA PRE-OPENING DI ALTAROMA ALL’ INSEGNA DEI GIOVANI TALENTI

L7, photo by N

L7, photo by N

La creatività emergente e l’ opera di talent-scouting avviata da Altaroma è stata protagonista della pre-opening della sua edizione invernale, consolidando la felice collaborazione – iniziata a partire dallo scorso anno – con Coin Excelsior, il department store multi-brand di Roma, dedicato alla moda contemporanea che ha ospitato le creazioni dei finalisti del concorso di talent-scouting Who Is On Next quali Catherine de’ Medici 1533, Elena Ghisellini, Giancarlo Petriglia, L72 unitamente alla sfilata di Quattromani. La collezione autunno/inverno 2016-2017 di questo brand, creata dal duo di fashion designer formato da Massimo Noli e Nicola Frau, rende omaggio a saggestioni sarde, il rituale dell’ argia che reinterpreta una leggenda, la quale parla dei canti e delle danze tra donne – una nubile, una sposata  e una vedova – quale cura per guarire dal morso velenoso del ragno. Un racconto all’ insegna della femminilità fatta di volumi neo-Seventies che carezzano la  silhouette, linee corte e fluide, mohair, lana, tessuto tecnico “nowind”, crêpe e pelliccia ecologica. Un salubre ottimismo è racchiuso nella palette di colori che includono mostarda, rosso, nero, blu, come anche dettagli in rosa, azzurro, cammello e bianco che arricchiscono i capi.

L7, photo by N

L7, photo by N

 

Catherine De' Medici 1533, photo by N

Catherine De’ Medici 1533, photo by N

 

Elena Ghisellini, photo by N

Elena Ghisellini, photo by N

 

Giancarlo Petriglia

Giancarlo Petriglia

 

Quattromani, photo by N

Quattromani, photo by N

 

Quattromani, photo by N

Quattromani, photo by N

Quattromani, photo by N

Quattromani, photo by N

 

Quattromani, photo by N

Quattromani, photo by N

 

Me,myself & I along with Adriano Franchi (Altaroma CEO), photo by N

Me,myself & I along with Adriano Franchi (Altaroma CEO), photo by N

 

www.altaroma.it

Xiao Li x Diesel x 10 Corso Como, photo by N

Xiao Li x Diesel x 10 Corso Como, photo by N

It was presented during the Milan Fashion Week at the renowned concept store 10 Corso Como created by Carla Sozzani, the capsule ollection by young fashion designer Xiao Li – winner of Diesel Award at the talent scouting award ITS (International Talent Support) – she made with Diesel exclusively for 10 Corso Como, featuring clothes and accessories – two necklaces and a shopping bag -, enriched by floral details. that are under the sign of fluid lines and pastel colors, experimentation and innovation. It’s the result of a research focused on matter, the cloth, giving rise to a nice combination of denim, cloth joining to pre-modeled silicon.

LA SPERIMENTAZIONE DI XIAO LI x ˬDIESEL x 10 CORSO COMO

Xiao Li x Diesel x 10 Corso Como, photo by N

Xiao Li x Diesel x 10 Corso Como, photo by N

É stata presentata durante la settimana della moda milanese presso il rinomato concept store creato da Carla Sozzani 10 Corso Como, la capsule collection della giovane fashion designer Xiao Li – vincitrice del Diesel Award al concorso di talent scouting ITS (International Talent Support) – da lei realizzata per Diesel in esclusiva per 10 Corso Como di cui sono protagonisti abiti e accessori – due collane e una shopping bag -, arricchiti da motivi floreali che sono all’ insegna di linee fluide e colori pastello, sperimentazione e innovazione. Il risultato di una ricerca incentrata alla materia, al tessuto che dà vita a una simpatico combinazione di denim, tessuti che si uniscono al silicone pre-modellato.

 

Xiao Li x Diesel x 10 Corso Como, photo by N

Xiao Li x Diesel x 10 Corso Como, photo by N

 

Xiao Li x Diesel x 10 Corso Como, photo by N

Xiao Li x Diesel x 10 Corso Como, photo by N

 

Xiao Li x Diesel x 10 Corso Como, photo by N

Xiao Li x Diesel x 10 Corso Como, photo by N

 

Xiao Li x Diesel x 10 Corso Como, photo by N

Xiao Li x Diesel x 10 Corso Como, photo by N

 

Xiao Li x Diesel x 10 Corso Como, photo by N

Xiao Li x Diesel x 10 Corso Como, photo by N

 

Xiao Li, photo by N

Xiao Li, photo by N

 

www.10corsocomo.com

www.diesel.com

 

It's important to know what is your seat: Rome Capitol Square before the start of T.A.G., photo by N

It’s important to know what is your seat: Rome Capitol Square before the start of T.A.G., photo by N

I recently featured in the nice fashion contest T.A.G., event which was held in the Rome Capitol Square, including a showcase of sport and ballet. The contest gave the chance to young graduated students to present their creations and win a money scholarship amounting to 1000 Euros and an internship at the Milan atelier of Raffaella Curiel. Awards were given to personas of world sport as the Olympic Games champion of foil Valentina Vezzali who also featured on the stage as jury member sat down close to me, as well as the sport journalist Valeria Ciardiello and the pr Michela Bonafoni along with the dancers Kledi and Giuseppe Picone, Stefano Dominella, CEO of Gattinoni fashion house and the bright fashion designer Chiara Boni. The event included the live performance of Bussoletti, an emerging singer, of whose song he made “Come scemi” (meaning “Like idiots”), a song about the habit of taking selfie, became famous due to a commercial of an Italian brand of ice-creams. It was nice to see a project made to increase and support the creativity, dance and sport being in the area of Rome, but I have to add something, some remarks concerning that and initiatives like that. Today “young talents” and “emerging creativity” along with “start-up” are words that became empty slogans in the fashion of the “love’s party”, old memory from Berlusconism. That wants to be a double alert, regarding the people who set up projects like these ones and the fashion schools training the students in order to use sense in what they do and develop. My words are strictly connected to this experience and a moment of that or rather when it was asked me for giving some remarks on the fashion shows. I did it, though later it was asked to the jury for being more kind with the young creatives. I tell what I think, that is a virtue and a big limit, as consent gives sense to all that has no sense. I saw some collections Japan inspired, which is the hardest thing to develop in terms of structure and volumes. In this circumstance this inspiration has turned into a Lady Gaga-esque weak interpretation, lacking of any fashion show styling, a leitmotiv of the evening, except few fashion shows. A man from the audience made me compliments for my sagacity. I had to tell that. Why? Because I think if you make believe to a young boy/ girl he/ she has got talent, you destroy him/her and make him/her waste time if he or she has not got it. It results from that a diabolical alchemy, made of  pretentiousness of the people who wants being a fashion designer, but lacks of abilities and a proper background to become it. I focus on the huge responsibility having the fashion schools to train properly the students, a hard work I enjoy every time I am at the Fashion Design Faculty of Iuav University of Venice, headed by Maria Luisa Frisa and at the Rome Costume and Fashion Academy, excellent institution headed by Lupo Lanzara as well as in many fashion schools, institutions there are in Italy and abroad. I care to tell that to improve instead of destroying initiatives like this for giving rise to a real virtuous circuit, made of ideas, energies and facts, considering that as a mere suggestion, given to young people who want working in the realm of fashion. Modesty helps, as well hard-working, but there is not just only the work as fashion designer in the fashion industry. Textile designers, pattern makers are other works being extremely precious. Thus let’s focus on your ability with honesty and modesty to give rise to a successful working path. That is my genuine wish for all the ones who are currently studying and investing time, money and energies on that.

T.A.G.: CREATIVITÀ EMERGENTE, SPORT & DANZA A ROMA

Me, myself & I waiting for the start of T.A.G.(being on time is not always a virtue...), photo by N

Me, myself & I waiting for the start of T.A.G.(being on time is not always a virtue…), photo by N

Sono stata recentemente protagonista del simpatico contest di moda T.A.G., evento che si è tenuto presso la Piazza del Campidoglio di Roma, comprensivo di una rassegna di sport e danza. Il contest ha dato la possibilità a giovani studenti neo-diplomati di presentare le loro creazioni e vincere una borsa di studio in denaro pari a 1000 Euro e uno stage presso l’ atelier di Raffaella Curiel. Premi sono stati consegnati a personaggi del mondo dello sport quali la campionessa olimpica di fioretto Valentina Vezzali che è apparsa anche sul palco nelle vesti di giurata, seduta vicino a me, come anche la giornalista sportiva Valeria Ciardiello e la pr Michela Bonafoni unitamente ai ballerini Kledi e Giuseppe Picone, Stefano Dominella, il CEO della casa di moda Gattinoni e la brillante fashion designer Chiara Boni. L’ evento ha incluso l’ esibizione dal vivo di Bussoletti, un cantante emergente, il cui brano “Come scemi”, una canzone sull’ abitudine di fare selfie, divenuta famosa per uno spot di un marchio italiano di gelati. È stato simpatico vedere un progetto fatto per incentivare e sostenere la creatività, lo sport e la danza che c’è nell’ area di Roma, devo però aggiungere altro, alcune riflessioni inerenti iniziative come questa. Oggi “giovani talenti” e “creatività emergente” insieme a “start-up” sono parole che sono diventate slogan vuoti alla stregua del “partito dell’ amore”, vecchio ricordo del Berlusconismo. Ciò vuol essere un doppio avvertimento che riguarda la gente che organizza progetti come questi e le scuole di moda che formano gli studenti affinché si dotino di senso in ciò che fanno e sviluppano. Le mie parole sono strettamente collegate a questa esperienza e a un suo momento ovvero quando mi è stato chiesto di commentare le sfilate. L’ ho fatto, anche se è poi stato chiesto alla giuria di essere più gentile con i giovani creativi. Dico ciò che penso, una virtù che è un grande limite, poiché il consenso dà senso a ciò che non lo ha.. Ho visto alcune collezioni ispirate al Giappone che è la cosa più difficile da sviluppare in termini di struttura e volumi. In questa circostanza tale ispirazione si è trasformata in una debole interpretazione Lady Gaga-esca, priva di alcuno styling della sfilata, un leitmotiv della serata, ad eccezione di alcune sfilate. Un uomo del pubblico mi ha fatto i complimenti per la mia sagacia. Dovevo dire ciò che pensavo. Perchè? Perchè ritengo che se fai credere a un giovane ragazzo/ragazza che abbia talento, lo/la distruggi e gli/le fai perdere tempo ove non ne abbia. Da ciò deriva una diabolica alchimia, fatta di pretenziosità della gente che vuol essere un fashion designer, ma è privo delle capacità e di un background appropriato per diventarlo. Mi soffermo sulla grande responsabilità che hanno le scuole di moda nel formare in modo appropriato gli studenti, un duro lavoro che apprezzo ogni volta che mi trovo alla Facoltà di Design della Moda della Università Iuav di Venezia, guidata da Maria Luisa Frisa e all’ Accademia di Costume e Moda di Roma, eccellente istituzione diretta da Lupo Lanzara come anche in diverse scuole di moda, istituzioni che si trovano in Italia e all’ estero. Mi preoccupo di dire ciò per migliorare e non distruggere iniziative come queste, dando vita a un reale circolo virtuoso, fatto di idee, energie e fatti, considerando ciò un mero monito dato ai giovani che vogliono lavorare nell’ ambito della moda. La modestia aiuta, come anche il lavorare alacremente, ma non esiste soltanto il lavoro di fashion designer nell’ industria della moda. I designers di tessuti, i modellisti sono professionalità altrettanto preziose. Perciò concentratevi sulle vostre capacità con onestà e modestia per dar vita a un felice iter lavorativo. Questo che il mio sincero augurio per tutti coloro che in questo momento stanno studiando e investendo tempo, denaro ed energie in ciò.

A moment of performance by the Italian fencing team along the a Ballet company, photo by N

A moment of performance by the Italian fencing team along the a Ballet company, photo by N

 

The jury at work: Valentina Vezzali & Valeria Ciarriello. photo by N

The jury at work: Valentina Vezzali & Valeria Ciardiello. photo by N

 

 

A selfie(sh) moment inspired by the song performed by Bussoletti ft. Michela Bonafoni, me, myself & I, Valeria Ciarriello & Valentina Vezzali, photo by N

A selfie(sh) moment inspired by the song performed by Bussoletti ft. Michela Bonafoni, me, myself & I, Valeria Ciardiello & Valentina Vezzali, photo by N

 

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

It has recently held in Rome at the space SPQwork the event “Talents container”, ideated by Studio Dmoda, which joined art and fashion, the digital art by Visual Circus Division, Giulio Pernice, Depth, Gradosei, Pixel Pharm and Giulio Patrizi along with the creations of promising emerging creatives. A successful showcase which included the womenswear collection by Quattromani, Project 149, Guen, Zora&Neva and Wàla Lab, the catchy shoes collection by Trenta7, the renowned jewelry by Giuliana Mancinelli Bonafaccia, the smashing eyewear handcrafted collection by Frank Lo, the bags by F2A and the accessories by Égotique.

TALENTS CONTAINER, ARTS & FASHION A ROMA

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Si è recentemente tenuto a Roma presso lo spazio SPQwork l’ evento “Talents container”, ideato da Studio Dmoda che ha unito arte e moda, la digital art di Visual Circus Division, Giulio Pernice, Depth, Gradosei, Pixel Pharm e Giulio Patrizi insieme alle creazioni di promettenti creativi emergenti. Una felice esposizione che ha incluso la collezione di abbigliamento donna di Quattromani, Project 149, Guen, Zora&Neva e Wàla Lab, l’ accattivante collezione di calzature di Trenta7, i rinomati gioielli di Giuliana Mancinelli Bonafaccia, la formidabile collezione di occhiali di manifattura artigianale di Frank Lo, le borse di F2A e gli accessori di Égotique.

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

 

 

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

 

 

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

 

 

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

 

 

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

 

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

 

 

Trenta7, photo by Giorgio Miserendino

Trenta7, photo by Giorgio Miserendino

 

Trenta7, photo by Giorgio Miserendino

Trenta7, photo by Giorgio Miserendino

 

Trenta7, photo by Giorgio Miserendino

Trenta7, photo by Giorgio Miserendino

 

 

Trenta7, photo by Giorgio Miserendino

Trenta7, photo by Giorgio Miserendino

 

 

Frank Lo, photo by Giorgio Miserendino

Frank Lo, photo by Giorgio Miserendino

 

Frank Lo, photo by Giorgio Miserendino

Frank Lo, photo by Giorgio Miserendino

 

Frank Lo, photo by Giorgio Miserendino

Frank Lo, photo by Giorgio Miserendino

 

 

Frank Lo, photo by Giorgio Miserendino

Frank Lo, photo by Giorgio Miserendino

 

Frank Lo, photo by Giorgio Miserendino

Frank Lo, photo by Giorgio Miserendino

 

Frank Lo, photo by Giorgio Miserendino

Frank Lo, photo by Giorgio Miserendino

 

 

 

 

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

The Spring/Summer 2014 collection of Lucia Rousseau, brand created by the bright and young Turin fashion designer Lucia Russo – supported by National Chamber of Italian Fashion -, is under the sign of dynamism and freshness, embodied in fun and feminine lines, catchy constructions born to be genuine passé-partout, featuring shapes caressing the silhouette, smashing colored prints and optical patterns that are a leitmotiv her work.

IL DINAMISMO OPTICAL DI LUCIA ROUSSEAU

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

La collezione primavera/estate 2014 di Lucia Rousseau, brand creato dalla brillante e giovane fashion designer di Torino Lucia Russo – sostenuta dalla Camera Nazionale della Moda Italiana -, è all’ insegna di dinamismo e freschezza, racchiusi in linee divertenti e femminili, accattivanti costruzioni nate per essere autentici passe-partout, di cui sono protagonisti forme che accarezzano la silhouette, formidabili stampe colorate e motivi optical che sono un leitmotiv del suo lavoro.

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Lucia Rousseau Spring/Summer 2014

Tamta Shidelishvili

Tamta Shindelishvili

A nice alchemy between the male and female Georgian costumes from the late Nineteenth century and the early Twentieth century features in “Unidentified familiars”, the collection by the young Georgian fashion designer Tamta Shindelishvili (who featured in the latest edition of fashion contest Be Next), where the costume, theatrical suggestions, emphasized by the construction of the creations – of whose palette of color is basic, including black and white – and decorations she made, overlap with an austere minimalism, evoking a solemn contemporary elegance.

“UNIDENTIFIED FAMILIARS”, LA SOLENNE ALCHIMIA DI TAMTA SHINDELISHVILI

Tamta Shidelishvili

Tamta Shindelishvili

Una simpatica alchimia tra i costumi maschili e femminili della Georgia, risalenti alla fine del diciannovesimo secolo e all’ inizio del ventesimo secolo, è protagonista di “Unidentified familiars”, la collezione della giovane fashion designer georgiana Tamta Shindelishvili (protagonista dell’ ultima edizione del fashion contest Be Next) in cui il costume, suggestioni teatrali, enfatizzate dai volumi delle creazioni – la cui palette di colori è basica, includendo bianco e nero – e le decorazioni da lei realizzate si sovrappongono a un austero minimalismo, evocando una solenne eleganza contemporanea.

Tamta Shidelishvili

Tamta Shindelishvili

Tamta Shidelishvili

Tamta Shindelishvili

The winners of WION 2013, photo by Giorgio Miserendino

The winners of WION 2013, photo by Giorgio Miserendino

It took place during Altaroma latest edition the talent-scouting award WION (Who Is On Next), created by Altaroma in collaboration with Vogue Italia which awarded for the womenswear category Arthur Arbesser in joint place with Esmevie by Julia Voitenko and Daria Golevko. The brand Quattromani created by Massimo Noli and Nicola Frau received a special mention for the clean lines and sculptural volumes featuring in its collection.

ALTAROMA: I CREATIVI DI WION(2)

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Ha avuto luogo in occasione dell’ ultima edizione di Altaroma il concorso di talent-scouting WION (Who Is On Next), creato da Altaroma in collaborazione con Vogue Italia che ha premiato per la categoria abbigliamento donna ex aequo Arthur Arbesser ed Esmevie di Julia Voitenko e Daria Golevko. Il brand Quattromani creato da Massimo Noli e Nicola Frau ha ricevuto una menzione speciale per le sue linee pulite e i volumi scultorei protagonisti della sua collezione.

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser,  photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo Giorgio Miserendino

Arthur Arbesser, photo Giorgio MiserendinoArthur Artbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Arthur Artbesser, photo by Giorgio Miserendino

Arthur Arbesser, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Esmevie, photo by Giorgio Miserendino

Beppe Modenese, Sara Maino and Simonetta Gianfelici, photo by Giorgio Miserendino

Beppe Modenese, Sara Maino and Simonetta Gianfelici, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

Quattromani, photo by Giorgio Miserendino

 

 

www.altaroma.it

 Maria Luisa Frisa holding a decoration (written: how can I help you?) part of the dress-code of a student who welcomed the audience at Iuav University


Maria Luisa Frisa holding a decoration (written: how can I help you?) part of the dress-code of a student who welcomed the audience at Iuav University

Modesign/Fashion’s event at Iuav 2013, happened recently and it consisted of exhibitions at Iuav University such as “Close-up. Sguardi sull’ attività del Corso di Laurea di Design della moda”, curated by Maria Bonifacic, “Fashion ephemera by Antonio Marras” curated by Mario Lupano (with whom I shared a Summer Epicurean interlude in a smashing place, the Giardino Bistrot, along with the blogger Nally Bellati, we had a delicious and fresh chicken salad and drank fresh mint tea) and the display of Bag factor 2013, which presented the results of a bag design workshop in collaboration with Bottega Veneta  and curated by Elda Danese.

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The magazines on display

The magazines on display

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The book written by the Iuav's professors as Maria Luisa Frisa

The book written by the Iuav’s professors as Maria Luisa Frisa

The final dissertation of a Iuav graduated student

The final dissertation of a Iuav graduated student

A fragment of students' life at Iuav

A fragment of students’ life at Iuav

A film documenting the work made by students at Iuav

A film documenting the work made by students at Iuav

Another smashing exhibition about the textiles has been “Refuso tessile. Archivio, riciclo e procedure progettuali”, curated by Maria Cristina Cerulli and Martina Bernardi which was held at the Treviso Archivio di Stato and showcased the work by Paoletti woolen mill.

The works by Iuav students

The works by Iuav students

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The shooting area at Iuav

The shooting area at Iuav

Bag factor 2013

Bag factor 2013

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The day continued with talks moderated by Giusi Ferrè where I met Brunello Cucinelli, appreciating his simplicity, dressed up with catholic-communist suggestions and many quotations, self-service of pre-packed thoughts (coming from Immanuel Kant, Vittorio Alfieri and another one which is commonly used in the fashion scene beyond the reading of “The idiot” by Fiòdor Dostoiewski: “beauty will save the world”, though he has been very elusive about the concept of his brand) and the words of Stefano Beraldo, CEO of Coin Group who told about the projects made in the realm of luxury as the opening of the Milan concept-store Excelsior as well in the fast-fashion realm started by Oviesse, the fast-fashion chain of group, involving fashion schools, graduated students and fashion designers in collaboration with Central Saint Martin’s and Matthew Williamson who announced the last step of project: a collaboration on the same project with the Milan fashion school Istituto Marangoni and the brand Aspesi.

MODESIGN/FASHION AT IUAV 2013(2)

The coffee shop-restaurant Giardino Bistrot

The coffee shop-restaurant Giardino Bistrot

Modesign l’ evento Moda alla Iuav del 2013, ha recentemente avuto luogo ed ha compreso mostre presso l’ Università Iuav quali “Close-up. Sguardi sull’ attività del Corso di Laurea di Design della moda”, curata da Maria Bonifacic, “Fashion ephemera di Antonio Marras” curate da Mario Lupano (con il quale ho condiviso un intermezzo estivo epicureo in un formidabile luogo, il Giardino Bistrot unitamente alla blogger Nally Bellati, abbiamo gustato una deliziosa e fresca insalata di pollo e bevuto tè verde alla menta) e l’ esposizione di Bag factor 2013 che presentava i risultato di un workshop di design della borsa in collaborazione con Bottega Veneta e curato da Elda Danese.

 The work by one of New Comers 2013, Martina Mazzon at Giardino Bistrot


The work by one of New Comers 2013, Martina Mazzon at Giardino Bistrot

Martina Mazzon at the Giardino Bistrot

Martina Mazzon at the Giardino Bistrot

Mario Lupano

Mario Lupano

Nally Bellati taking a picture of the Giardino Bistrot's owners

Nally Bellati taking a picture of the Giardino Bistrot’s owners

Un’ altra formidabile mostra sui tessuti è stata “Refuso tessile. Archivio, riciclo e procedure progettuali”, curata da Maria Cristina Cerulli e Martina Bernardi che si è tenuta presso l’ Archivio di Stato di Treviso ed ha esposto l’ opera del lanificio Paoletti.

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The exhibition Refuso Tessile at the Treviso Archivio di Stato

The exhibition Refuso Tessile at the Treviso Archivio di Stato

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The Treviso Archivio di Stato

The Treviso Archivio di Stato

La giornata è continuata con i talks moderati da Giusi Ferrè presso i quali ho incontrato Brunello Cucinelli, apprezzando la sua semplicità, condita da suggestioni catto-comuniste e plurime citazioni, self-service di pensieri preconfezionati (provenienti da Immanuel Kant, Vittorio Alfieri e un’ altra che è comunemente usata negli ambienti della moda al di là della lettura de “L’ idiota” di Fiòdor Dostoiewski: “la bellezza salverà il mondo”, benché sia stato molto elusivo riguardo al concept del suo brand) e le parole di Stefano Beraldo, CEO del Gruppo Coin che ha parlato dei progetti realizzati nell’ ambito del lusso quali l’ apertura del concept-store di Milano Excelsior come anche nellì ambito della fast-fashion intrapresi da Oviesse, la catena di fast-fashion del gruppo che coinvolgono scuole di moda, studenti neo-diplomati e fashion designers in collaborazione con la Central Saint Martin’s e Matthew Williamson, costui ha annunciato l’ ultimo passo del progetto: una collaborazione con la scuola di moda milanese Istituto Marangoni e il brand Aspesi.

A view on Treviso, a beautiful city

A view on Treviso, a beautiful city

 

A  drama oriented street in Treviso I like: via dei Filodrammatici

A drama oriented street in Treviso I like: via dei Filodrammatici

Maria Luisa Frisa, Giusi Ferrè and Brunello Cucinelli

Maria Luisa Frisa, Giusi Ferrè and Brunello Cucinelli

 Sofia, a young promising student at Iuav and genuine individual who gave me as a gift a smashing afternoon interlude


Sofia, a young promising student at Iuav and genuine individual who gave me as a gift a smashing afternoon interlude

Andrea Tomat and Maria Luisa Frisa

Andrea Tomat and Maria Luisa Frisa

A sunset interlude at Iuav featuring Valeria Regazzoni and me

A sunset interlude at Iuav featuring Valeria Regazzoni and me

 Maria Luisa Frisa introducing the second talk moderated by Giusi Ferrè featuring Stefano Beraldo


Maria Luisa Frisa introducing the second talk moderated by Giusi Ferrè featuring Stefano Beraldo

www.iuav.it

www.ashadedviewonfashion.com

Hotel Continental

Hotel Continental

The Newcomers 2013 is a laudable initiative at Modesign/Fashion at Iuav 2013 showcasing the works of the students of Iuav University Faculty of Fashion Design in many Treviso boutiques as well as in the Continental Hotel ( the set of movie “The consequences of love” by Paolo Sorrentino featuring Tony Servillo), place displaying the work by Gianluca Ferracin, inspired by the Asburgic era.

Hotel Continental

Hotel Continental

Gianluca Ferracin at the Continental Hotel

Gianluca Ferracin at the Continental Hotel

The emerging creativity and fashion culture, a value and a continuous dialogue, was the theme of two talks moderated by Cristiano Seganfreddo and Giusi Ferrè that took place at the Treviso Loggia dei Cavalieri and considered the purpose of a fashion school, the Treviso Faculty of Fashion Design (created in 2005 by Maria Luisa Frisa), for working on the Italian fashion identity in a region, the Veneto, hosting 9600 fashion companies and in a city, Treviso, including over 2000 fashion companies.

Gianluca Ferracin at the Continental Hotel

Gianluca Ferracin at the Continental Hotel

Gianluca Ferracin at the Continental Hotel

Gianluca Ferracin at the Continental Hotel

Gianluca Ferracin at the Comtinental Hotel

Gianluca Ferracin at the Comtinental Hotel

Gianluca Ferracin at the Continental Hotel

Gianluca Ferracin at the Continental Hotel

Prosit: Gianluca Ferracin at the Continental Hotel

Prosit: Gianluca Ferracin at the Continental Hotel

A main focus at the Iuav University is to join the training and working with promotion and the active process of observing the fashion project while questioning contemporary lifestyle. An important step in the further development of this laudable work has been the words by the new Treviso major, Giovanni Manildo, who has been one of the experts included in the second talk and considered the chance of bringing again the Biennale of Applied Arts in Treviso. Maybe as Giusi Ferrè asserted during the end of the second talk, that could be the starting point of something which could be (hopefully) developed in the forthcoming times: words to think about and do more and better.

MODESIGN/FASHION AT IUAV 2013 (1)

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I Newcomers 2013 è una lodevole iniziativa alla Modesign/Fashion at Iuav 2013 che espone i lavori degli studenti della Facoltà di Fashion Design dell’ Università Iuav in molte boutiques di Treviso come anche nell’ Hotel Continental ( il set del film “Le consequenze dell’ amore” di Paolo Sorrentino con Tony Servillo), luogo che espone il lavoro di Gianluca Ferracin che si ispira all’ era asburgica.

Linda Zampieri at the Friscodisco music store

Linda Zampieri at the Friscodisco music store

The smashing music available at the Friscodisco music store

The smashing music available at the Friscodisco music store

La creatività emergente e la cultura della moda, un valore e un continuo dialogo, è stato il tema di due talks moderati da Cristiano Seganfreddo e Giusi Ferrè che ha avuto luogo alla Loggia dei Cavalieri di Treviso ed ha considerato la finalità di una scuola di moda, la Facoltà di Fashion Design di Treviso (creata nel 2005 da Maria Luisa Frisa), per lavorare sull’ identità della moda italiana in una regione, il Veneto che ospita 9600 aziende di moda e in una città, Treviso che include più di 2000 aziende di moda.

Agnese Pottino

Agnese Pottino

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Venice artisanal cufflinks

Venice artisanal cufflinks

Una rilevante obiettivo dell’ Università Iuav è unire la formazione e il lavoro e operare nella promozione e il procedimento attivo nell’ osservare il progetto moda mentre si discute del lifestyle contemporaneo. Un importante passo nell’ ulteriore consolidamento di questa lodevole opera sono state le parole del nuovo sindaco di Treviso, Giovanni Manildo, che è stato uno degli esperti inclusi nel secondo talk ed ha preso in considerazione la possibilità di riportare la Biennale delle Arti Applicate a Treviso. Forse come ha affermato Giusi Ferrè alla fine del secondo, ciò potrebbe essere l’ inizio di qualcosa che (sperabilmente) potrebbe essere sviluppato in futuro: parole per pensare e fare di più e meglio.

Giusi Ferrè

Giusi Ferrè

Lapo Cianchi, Giusi Ferrè, Cristiano Seganfreddo, Federico Sarica

Lapo Cianchi, Giusi Ferrè, Cristiano Seganfreddo, Federico Sarica

Giusi Ferrè, Cristiano Seganfreddo, Federico Sarica, Maria Luisa Frisa

Giusi Ferrè, Cristiano Seganfreddo, Federico Sarica, Maria Luisa Frisa

Maria Luisa Frisa and Cristiano Seganfreddo

Maria Luisa Frisa and Cristiano Seganfreddo

The artist Antonio Riello

The artist Antonio Riello

www.iuav.it

www.ashadedviewonfashion.com